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Longitude is indicated in two different ways on this mid-18th century map: along the top border, it is shown in degrees (number of degrees east of London); more unusually, along the bottom border, it is shown in time (number of hours east of London).

Coloured borders divide this late 18th century map of Asia into empires, kingdoms and regions. Five major rivers that flow south through mainland Southeast Asia are named: Aua, Pegu, Tenasserim, Menan and Camboya.

This map uses colour to identify regions in late 18th century Southeast Asia, many of which roughly correspond to modern countries: Pegu=Myanmar, Tonkin/Cochin China=Vietnam, Lao =Laos, Siam=Thailand, Malaya=Malaysia, Philippin Islands=Philippines.

From Antonio Zatta's atlas ‘Atlante Novissimo’, this late 18th century map of Asia features a decorative cartouche consisting of drawings of Asian plants, a ceramic pot emitting smoke, two archery quivers, and pearls in shells.

Longitude is indicated in two different ways on this mid-18th century map: along the top border, it is shown in degrees (number of degrees east of London); more unusually, along the bottom border, it is shown in time (number of hours east of London).

This 18th century map of Southeast Asia by the French cartographer Gilles Robert de Vaugondy features the national borders of the Philippines in green, and of modern Indonesia in yellow. The Malay Peninsula and modern Cambodia and Vietnam are in red.

The coast of New Guinea (‘Nouvelle Guinée’) is represented in part by a dotted line on this mid-18th century map, indicating that the exact coastlines were unknown at this time. The western tip is labelled ‘C. de Bonne Esperance [Cape of Good Hope]’.

This mid-18th century map of Southeast Asia includes written notes on goods produced and traded, geographical features, and wild animals found in each part of the region.

This map's cartouche features an illustration of three men bowing before a ruler on a throne. There is also what was probably meant to be a lion, though the poor likeness suggests it was based on written descriptions rather than real life experience.

This map's cartouche features an illustration of three men bowing before an enthroned ruler. A second image is of a procession where a horned four-armed humanoid creature is being carried on poles by two bearers, while musicians follow behind.

This map is dedicated to William Cowper, whose coat of arms sits atop the cartouche. It features two horses holding a crest with three red martlets (mythical birds used in heraldry). The colourful cartouche also features Asian traders.

The title cartouche of this early 18th century map of Southeast Asia is decorated with two drawings of battles. On the left, a sea battle with smoke rising from the ships’ cannons. On the right, an army attacks a walled city which is on fire.