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This mid-19th century map of Southeast Asia is illustrated with drawings of indigenous people from New Guinea, a ‘bee bear’ (probably a sun bear), a sailboat in front of Victoria Mount in New Guinea, and a village and palm trees in Sarawak, Borneo.

This map is decorated with colourful illustrations of people and animals. Of particular interest to Southeast Asia are the paintings of 'Sun-birds of India and the Philippine Isles'.

Brief notes printed on this 19th century map of Southeast Asia provide details about each region, including: numbers and ethnicity of the population, local or colonial rulers, crops and products, geography (corals, forests, volcanos, earthquakes).

This late 18th century map of Asia uses colour to differentiate various regions, with mainland Southeast Asia in blue, and maritime Southeast Asia in yellow, red, green and blue.

Labels on this late 18th century map of Southeast Asia describe two indigenous populations—the ‘Kemoy’ of the mountains along the border of Cochin China (Vietnam) and Camboja (Cambodia), and the ‘Biayos’ of central Borneo—as ‘a wild Nation’.

Coloured borders divide this late 18th century map of Asia into empires, kingdoms and regions. Five major rivers that flow south through mainland Southeast Asia are named: Aua, Pegu, Tenasserim, Menan and Camboya.

The letters ‘E’ or ‘D’ are marked after place names to indicate if they are English or Dutch colonial possessions: e.g. ‘Marleborough Fort E’ on Sumatra or ‘Concordia Fort D’ on Timor. The Philippines are labelled ‘to Spain’.

This early 18th century map of Asia features a drawing of a woman burning offerings on an altar, while two children carry cornucopias, and a camel looks on. The Roman god Mercury descends from the sky in the background wearing his winged helmet.

This colourful map of Asia is illustrated with drawings of Asian people wearing traditional clothing, including a man and woman from Java in Southeast Asia, and drawings of important ports such as Bantan (Banten) situated at the western end of Java.