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Longitude is indicated in two different ways on this mid-18th century map: along the top border, it is shown in degrees (number of degrees east of London); more unusually, along the bottom border, it is shown in time (number of hours east of London).

Longitude is indicated in two different ways on this mid-18th century map: along the top border, it is shown in degrees (number of degrees east of London); more unusually, along the bottom border, it is shown in time (number of hours east of London).

This 18th century map of Southeast Asia by the French cartographer Gilles Robert de Vaugondy features the national borders of the Philippines in green, and of modern Indonesia in yellow. The Malay Peninsula and modern Cambodia and Vietnam are in red.

This mid-18th century map of Southeast Asia includes written notes on goods produced and traded, geographical features, and wild animals found in each part of the region.

Based on a map by Guillaume Delisle, this map of Southeast Asia shows mountains and settlements pictorially, with larger cities also coloured red. Regional borders are colour-coded, as are some internal borders on the Malay Peninsula.

This mid-18th century map of Asia features a drawing of religious imagery: Asian people are seen making offerings to two figures, including the Greek god Poseidon (or the Roman god Neptune), and kneeling as cherubs descend from the sky.

This map's cartouche features an illustration of three men bowing before a ruler on a throne. There is also what was probably meant to be a lion, though the poor likeness suggests it was based on written descriptions rather than real life experience.

This colourful early 18th century map shows Asia along with part of Europe and Africa. It is decorated with a painting of Asian traders negotiating over a sale of carpets, while three lions, a ship and city walls complete the picture.

This map showcases the colonial territories of Southeast Asia in the 18th century, with text detailing trading information and the products of each region. There are five inset maps featuring plans of specific trading ports.

This map's cartouche features an illustration of three men bowing before an enthroned ruler. A second image is of a procession where a horned four-armed humanoid creature is being carried on poles by two bearers, while musicians follow behind.

This map is dedicated to William Cowper, whose coat of arms sits atop the cartouche. It features two horses holding a crest with three red martlets (mythical birds used in heraldry). The colourful cartouche also features Asian traders.

The cartouche on this early 18th century navigation map features the title in Latin and Dutch, as well as a wealth of detailed drawings illustrating the region’s trade: Asian merchants, their goods and animals, and two female European customers.