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Longitude is indicated in two different ways on this mid-18th century map: along the top border, it is shown in degrees (number of degrees east of London); more unusually, along the bottom border, it is shown in time (number of hours east of London).

This map uses colour to identify regions in late 18th century Southeast Asia, many of which roughly correspond to modern countries: Pegu=Myanmar, Tonkin/Cochin China=Vietnam, Lao =Laos, Siam=Thailand, Malaya=Malaysia, Philippin Islands=Philippines.

From Antonio Zatta's atlas ‘Atlante Novissimo’, this late 18th century map of Asia features a decorative cartouche consisting of drawings of Asian plants, a ceramic pot emitting smoke, two archery quivers, and pearls in shells.

Longitude is indicated in two different ways on this mid-18th century map: along the top border, it is shown in degrees (number of degrees east of London); more unusually, along the bottom border, it is shown in time (number of hours east of London).

This mid-18th century map of Southeast Asia includes written notes on goods produced and traded, geographical features, and wild animals found in each part of the region.

Based on a map by Guillaume Delisle, this map of Southeast Asia shows mountains and settlements pictorially, with larger cities also coloured red. Regional borders are colour-coded, as are some internal borders on the Malay Peninsula.

This mid-18th century map of Asia features a drawing of religious imagery: Asian people are seen making offerings to two figures, including the Greek god Poseidon (or the Roman god Neptune), and kneeling as cherubs descend from the sky.

This map's cartouche features an illustration of three men bowing before a ruler on a throne. There is also what was probably meant to be a lion, though the poor likeness suggests it was based on written descriptions rather than real life experience.

This colourful early 18th century map shows Asia along with part of Europe and Africa. It is decorated with a painting of Asian traders negotiating over a sale of carpets, while three lions, a ship and city walls complete the picture.

This map's cartouche features an illustration of three men bowing before an enthroned ruler. A second image is of a procession where a horned four-armed humanoid creature is being carried on poles by two bearers, while musicians follow behind.

The cartouche on this early 18th century navigation map features the title in Latin and Dutch, as well as a wealth of detailed drawings illustrating the region’s trade: Asian merchants, their goods and animals, and two female European customers.

An early 18th century navigation map, with a rhumbline network and a scale in English, French, Spanish and Dutch measurements. The cartouche includes a drawing of Asian people as primitive natives, as they were often seen in the West at the time.