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From Antonio Zatta's atlas ‘Atlante Novissimo’, this late 18th century map of Asia features a decorative cartouche consisting of drawings of Asian plants, a ceramic pot emitting smoke, two archery quivers, and pearls in shells.

Dotted lines and colours divide maritime Southeast Asia into three regions on this map: the Philippine archipelago, Maluku Islands and Sunda Islands. The cartouche features cherub mermaids carrying a banner and shield.

Dotted lines and colours divide maritime Southeast Asia into three regions on this map: the Philippine archipelago, Maluku Islands and Sunda Islands. The cartouche features cherub mermaids, and a map of mainland Southeast Asia is on the reverse.

This map shows some inaccuracies, especially in the shape of the Malay Peninsula and the islands meant to represent Sumatra (labelled ‘Camatra’), Java (‘Iava Mazor’) and Borneo (‘Iava Menor’). Latin text describes the Maluku Islands.

This late 16th century map features a 'wind-head', a decorative feature consisting of a drawing of the head of a human blowing to indicate wind.

South is orientated towards the top of this map, with maritime Southeast Asia in the upper half and the mainland below. Top right is Java (‘Iava Magiore [Java Major]’); Borneo is labelled ‘Iava Menore [Java Minor]’. Ships and sea monsters are at sea.

Based on the work of 2nd century geographer Ptolemy, Bernardo Silvani’s woodcut map is innovative in its use of two colours: a black background with important text added in red. The Malay Peninsula is labelled ‘Aurea Chersonesus [Golden Chersonese]’.