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This mid-19th century map of Southeast Asia is illustrated with drawings of indigenous people from New Guinea, a ‘bee bear’ (probably a sun bear), a sailboat in front of Victoria Mount in New Guinea, and a village and palm trees in Sarawak, Borneo.

This map is decorated with colourful illustrations of people and animals. Of particular interest to Southeast Asia are the paintings of 'Sun-birds of India and the Philippine Isles'.

On this early 19th century map, mainland Southeast Asia is divided into regions. Major rivers are named, and the cartouche features a drawing of an elephant.

This late 18th century map features a number of labels describing the local populations, including the Kemoys ('Savage People') of the mountains of Cokin China (Vietnam), the Biayos of Borneo, and the 'Wild People' of the mountains of Pegu (Myanmar).

This map of Asia has coloured borders around mainland Southeast Asia, the Philippines, the Sunda Islands (‘Isles de la Sonde’) and the Maluku Islands (‘Isles Moluques’). The cartouche features a drawing of a sailing ship and boxes of goods.

This map of Asia has coloured borders around mainland Southeast Asia, the Philippines, the Sunda Islands (‘Isles de la Sonde’) and the Maluku Islands (‘Isles Moluques’). The cartouche features a drawing of a sailing ship and boxes of goods.

This mid-18th century map features a label noting that the Byayos people inhabited the mountains of central Borneo. Another note at the northeast tip of Borneo states that the location and number of islands in the area is uncertain.

This mid-18th century map of Asia has a stereographic projection to aid in navigation. There is also an illustration featuring two Asian men depicted as warriors, with a robed woman, as well as a large lizard.

This map features maritime routes: between Siam and Batavia; and five routes of the explorers Juan Gaetan and Olivier du Nord (dated 1542) east of the Philippines. The cartouche has a colourful illustration of Asian people in traditional costume.

This map's cartouche features an illustration of three men bowing before a ruler on a throne. There is also what was probably meant to be a lion, though the poor likeness suggests it was based on written descriptions rather than real life experience.

This map's cartouche features an illustration of three men bowing before an enthroned ruler. A second image is of a procession where a horned four-armed humanoid creature is being carried on poles by two bearers, while musicians follow behind.

This map is dedicated to William Cowper, whose coat of arms sits atop the cartouche. It features two horses holding a crest with three red martlets (mythical birds used in heraldry). The colourful cartouche also features Asian traders.