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A late 18th century map of Asia featuring rivers, mountains, reefs and shoals. Regions are colour-coded, with the borders of the kingdoms of mainland Southeast Asia in green, and the islands of maritime Southeast Asia in yellow and red.

A late 18th century map of Asia featuring rivers, mountains, reefs and shoals. Regions are colour-coded, with the borders of the kingdoms of mainland Southeast Asia in green, and the islands of maritime Southeast Asia in yellow and red.

From Antonio Zatta's atlas ‘Atlante Novissimo’, this late 18th century map of Asia features a decorative cartouche consisting of drawings of Asian plants, a ceramic pot emitting smoke, two archery quivers, and pearls in shells.

Mid-16th century map by Girolamo Ruscelli, based on the work of 2nd century geographer Ptolemy. It is difficult to pinpoint exact locations, but the Malay Peninsula is recognisable. Italian text on the reverse describes the region.

South is orientated towards the top of this map, with maritime Southeast Asia in the upper half and the mainland below. Top right is Java (‘Iava Magiore [Java Major]’); Borneo is labelled ‘Iava Menore [Java Minor]’. Ships and sea monsters are at sea.

Mid-16th century map by Girolamo Ruscelli, based on the work of 2nd century geographer Ptolemy. It is difficult to pinpoint exact locations, but the Malay Peninsula is recognisable. Italian text on the reverse describes the region.

Taken from Benedetto Bordone's ‘Isolario [The Book of Islands]’, these pages contain two maps: one of Sumatra (‘Iaua Minore’), and one of a group of five unknown islands (Locaz is thought to possibly be Thailand).

Based on the work of 2nd century geographer Ptolemy, Bernardo Silvani’s woodcut map is innovative in its use of two colours: a black background with important text added in red. The Malay Peninsula is labelled ‘Aurea Chersonesus [Golden Chersonese]’.