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An early map of Southeast Asia featuring a rhumbline network, a web of lines to help plot routes and aid navigation. Where the lines meet, there is a compass rose with an arrow pointing north. The map is decorated with illustrations of sea monsters.

As was common in this era, this map mistakenly shows the bottom of Peninsula Malaya as a separate island. The map also features illustrations of ships and a sea monster. Latin text on the reverse describes the people, crops, geography of the region.

The outline of the island of New Guinea is very vague on this early 17th century map of Southeast Asia. The cartouche is decorated with two figures of Asian warriors: one holds a spear, the other a sword. There are also drawings of mermaids.

As was common in this era, this map mistakenly shows the bottom of Peninsula Malaya as a separate island. The map also features illustrations of ships and a sea monster. Text on the reverse describes the people, crops, geography of the region.

German text on the reverse of this map describes the populations, crops, trade etc. of Sumatra, Borneo, Philippines, and Banda Islands. There are drawings of sailing ships, and the map is dedicated to the Dutch merchant Christophoro Thisio.

French text on the reverse of this map describes the religion, languages, crops, trade etc. of Aracam and Pegu (Myanmar), Siam (Thailand), Cambaja (Cambodia). The map is dedicated to the Dutch merchant Christophoro Thisio.

A map of Asia decorated with colourful illustrations including two men in ‘eastern’ clothing, the Greek goddess Athena with a coat of arms and a knight in armour, and cherubs playing with cartography tools: a globe, compass, and pair of callipers.

This early 17th century map of Southeast Asia is beautifully decorated with images of wild animals, including camels, a rhinoceros and various birds and fish. There is also a large decorative compass rose.

This map's cartouche features an illustration of three men bowing before a ruler on a throne. There is also what was probably meant to be a lion, though the poor likeness suggests it was based on written descriptions rather than real life experience.

This map's cartouche features an illustration of three men bowing before a ruler on a throne. There is also what was probably meant to be a lion, though the poor likeness suggests it was based on written descriptions rather than real life experience.

This map's cartouche features an illustration of three men bowing before a ruler on a throne. There is also what was probably meant to be a lion, though the poor likeness suggests it was based on written descriptions rather than real life experience.

This map's cartouche features an illustration of three men bowing before a ruler on a throne. There is also what was probably meant to be a lion, though the poor likeness suggests it was based on written descriptions rather than real life experience.