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This late 19th century map of Southeast Asia shows the best maritime routes around the region, according to the time of year. There are also inset maps highlighting the rivers and southern islands of Singapore, and the sea depth around Labuan Island.

This mid-19th century map of Southeast Asia is illustrated with drawings of indigenous people from New Guinea, a ‘bee bear’ (probably a sun bear), a sailboat in front of Victoria Mount in New Guinea, and a village and palm trees in Sarawak, Borneo.

This map is decorated with colourful illustrations of people and animals. Of particular interest to Southeast Asia are the paintings of 'Sun-birds of India and the Philippine Isles'.

This late 19th century map of Southeast Asia shows the best maritime routes around the region, according to the time of year. There is also an inset map highlighting the rivers and southern islands of Singapore.

This late 19th century map of Southeast Asia shows the best maritime routes around the region, according to the time of year. There is also an inset map highlighting the rivers and southern islands of Singapore.

Coloured borders divide this late 18th century map of Asia into empires, kingdoms and regions. Five major rivers that flow south through mainland Southeast Asia are named: Aua, Pegu, Tenasserim, Menan and Camboya.

The letters ‘E’ or ‘D’ are marked after place names to indicate if they are English or Dutch colonial possessions: e.g. ‘Marleborough Fort E’ on Sumatra or ‘Concordia Fort D’ on Timor. The Philippines are labelled ‘to Spain’.

This map is dedicated to William Cowper, whose coat of arms sits atop the cartouche. It features two horses holding a crest with three red martlets (mythical birds used in heraldry). The colourful cartouche also features Asian traders.

A detailed late 17th century map of Asia, showing ancient kingdoms and the place names of important settlements. The cartouche features a drawing of Asian traders selling their goods, while a camel, monkey and two birds look on.

This colourful map of Asia is illustrated with drawings of Asian people wearing traditional clothing, including a man and woman from Java in Southeast Asia, and drawings of important ports such as Bantan (Banten) situated at the western end of Java.